In Diogo Nogueira's exhibition, Para todos vocês com fantasias, at the Galeria Municipal de Almada, the identity of bodies is moulded into the landscape. It conforms to the idea of the collective and the search for new ways of living together, of being a community....
In Diogo Nogueira's exhibition...
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In the beginning, in the show Uivo, a shadow revealed the presence, on stage, of three protagonists. A continuous, computerized sound began to play. Two performers, Maria João Costa Pinheiro and Mariana Tengner Barros, began a dance that, in a whirl, described circles and other...
In the beginning, in the show ...
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In the exhibition Um Labirinto de Passos Intermináveis (A Labyrinth of Endless Steps), the largest group of pieces by Alexandra Ferreira is gathered in the exhibition room of the Solar dos Zagallos building. The remaining pieces are dotted around the palace gardens....
In the exhibition Um Labirinto...
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Isabel Cordovil's exhibition A Vaidade Praga-me features an astonishing chandelier toppled onto the floor in the first room. The carved ceiling is nowhere near its traditional spot, and everything seems to be upside down....
Isabel Cordovil's exhibition A...
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Uriel Orlow is a Swiss artist, living in Lisbon, who has developed an intense work on nature and botany....
Uriel Orlow is a Swiss artist,...
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The long title of the exhibition my father is a dirty slutty transcendental girlie, at Espaço Caramujo in Almada, is already in itself a stirrer of consciences, a push forward of mentalities, a breaking down of prejudices and forms of representation in art....
The long title of the exhibiti...
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The exhibition rout Por Completar, by Diogo Pimentão, at Casa da Cerca – Centro de Arte Contemporânea, begins, in the first room, with the positioning, on the ground, of two spherical sculptures of different dimensions, almost tangential....
The exhibition rout Por Comple...
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Although the decolonization of Portuguese-speaking African countries began in the revolutionary period, it is far from having fully materialized, in not only political, but also economic and cultural domains....
Although the decolonization of...
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The exhibition Um berlinde no chão, quase no meio da sala, by Susanne S. D. Themlitz, proposes a journey through transitoriness, through perpetual movement.Among a suggestion of objects, clustered and aligned on a long bench, we find several fragments: white coral, natural sponges, drawings, broken...
The exhibition Um berlinde no ...
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